The Never Never 2022-3
![](https://freight.cargo.site/t/original/i/9cf096966ac254258f882924755db9f1cd08323247ee75185b19b31f228b3017/The-Never-Never--by-Jeremy-Hutchison--curated-by-Evelyn-Simons.-Photo-Dani-Pujalte0.jpg)
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![](https://freight.cargo.site/t/original/i/1d29d09aa1b87194bcca2213a4963da4271c09347ff603814bc7665ba8311409/TheNeverNever-25_JHb.jpg)
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![](https://freight.cargo.site/t/original/i/807a2efc16531fc955d6833b506d5e08cf68fe64c6e61cd32fb8ee16c94aa1d2/Billboard-4_lighter.jpg)
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“Did you know - there are more Porsches in Athens than anywhere else in Europe?”
(from a phone conversation with my father)
The Never Never explores contemporary myths: fake news, luxury branding and national stereotypes. It examines how right-wing media used ownership of Porsches to make false allegations about the Greek government debt crisis. In this work, a fibreglass Porsche is worn as a costume by Athenian performers. Like hybrids from ancient mythology, these farcical creatures emerge from the sea and navigate a series of epic landscapes before arriving at a photo studio. All this is documented by a commercial crew, who in turn become actors in the performance.
Media : Video, Performance, Sculpture, Billboards, Text
Exhibitions : Casino Luxembourg, Kunstverein Harburger Bahnhof
Commissioner : Fondazione Prada
Credits : Vassilis Noulas, Kostas Tzimoulis, Vicky Kyriakoulakou, Despoina Chatzipavlidou, Alexia Sarantopoulou and Mary Loucy (Performers), Dani Pujalte (Photographer), Christina Moumouri (Cinematographer), Coda to Coda (Sound design)
Features : Lampoon Magazine, Metal Magazine, Hestetika, DAMN
(from a phone conversation with my father)
The Never Never explores contemporary myths: fake news, luxury branding and national stereotypes. It examines how right-wing media used ownership of Porsches to make false allegations about the Greek government debt crisis. In this work, a fibreglass Porsche is worn as a costume by Athenian performers. Like hybrids from ancient mythology, these farcical creatures emerge from the sea and navigate a series of epic landscapes before arriving at a photo studio. All this is documented by a commercial crew, who in turn become actors in the performance.
Media : Video, Performance, Sculpture, Billboards, Text
Exhibitions : Casino Luxembourg, Kunstverein Harburger Bahnhof
Commissioner : Fondazione Prada
Credits : Vassilis Noulas, Kostas Tzimoulis, Vicky Kyriakoulakou, Despoina Chatzipavlidou, Alexia Sarantopoulou and Mary Loucy (Performers), Dani Pujalte (Photographer), Christina Moumouri (Cinematographer), Coda to Coda (Sound design)
Features : Lampoon Magazine, Metal Magazine, Hestetika, DAMN